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Album · 3 songs

Some Seconds Intro.

Some Seconds Intro 1

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Some Seconds Intro 1

1–3 of 3 songs

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Some Seconds Intro 3

Some Seconds Intro 3

Some Seconds Intro Electronic abrupt ending action cue aggressive
/ 00:15
Instrumental Fast 04.05.2014
6,086 Plays 176 Downloads
Explosive electronic energy packed into a short, high-impact sting. Features gritty, glitchy synths, driving processed drums, and a tense buildup resolving into an abrupt, impactful ending. Ideal for modern intros, action cuts, tech promos, and attention-grabbing transitions needing raw, edgy power.

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Some Seconds Intro 2

Some Seconds Intro 2

Some Seconds Intro Cinematic Electronic abrupt ending cut-off effect digital percussion
/ 00:11
Male Very fast 04.05.2014
5,469 Plays 216 Downloads
High-energy electronic sting featuring driving percussion, glitchy synth textures, and a punchy, abrupt finish. Perfect for dynamic intros, tech reveals, gaming UI, or fast-paced commercial cuts.

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Some Seconds Intro 1

Some Seconds Intro 1

Some Seconds Intro Cinematic Electronic abrupt ending broadcast ready buildup
/ 00:14
Instrumental Very fast 04.05.2014
6,352 Plays 251 Downloads
High-energy electronic intro cue featuring driving synth arpeggios and punchy percussion. Creates an immediate sense of urgency and excitement, perfect for news stings, tech reveals, sports highlights, or impactful transitions.

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Production

100% handmade

A human composed, played and arranged this track. No AI wrote a single note here.

Depending on the piece that means 40 to 100 hours: the idea, the melody, the chords, recording takes and throwing them away again, arrangement, mix. The slow way.

And it still costs you nothing. No subscription, no watermark, commercial use included. If you would like to give something back, donate to a charity. You do not owe me anything.
Staying honest: The mastering runs through LANDR — and LANDR is an AI. Composition, performance and arrangement are 100% human; that final polishing step is not.
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Production

AI-assisted

The melody and the idea are mine. The AI worked them out.

I write the musical DNA — chord progression, structure, melody — on the keyboard in Cubase or FL Studio, often including a recorded audio sample. The AI takes over the part I never loved: laying brick upon brick. I am the architect, the AI is the construction crew.

Why at all? 779 tracks here were made entirely by hand — that took me years. The library now holds 2,384 pieces, all free, all from one person. A large catalogue, completely free and everything fully handmade: those three do not add up together.

And the result costs you nothing. No subscription, no watermark, commercial use included — exactly as with the handmade tracks. If you would like to give something back, donate to a charity.

The full reasoning is in the FAQ

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