Some Seconds Intro 2 by Sascha Ende
High-energy electronic sting featuring driving percussion, glitchy synth textures, and a punchy, abrupt finish. Perfect for dynamic intros, tech reveals, gaming UI, or fast-paced commercial cuts.
- License CC BY 4.0
- Released 04.05.2014
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Produced using digital audio workstation and MIDI keyboard(s). Fully cleared for commercial use.
Some Seconds Intro 2
04.05.2014
5,021
204
High-energy electronic sting featuring driving percussion, glitchy synth textures, and a punchy, abrupt finish. Perfect for dynamic intros, tech reveals, gaming UI, or fast-paced commercial cuts.
/
00:11
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00:00
Instantaneous start with rhythmic, slightly distorted synth stab and driving percussion.
00:03
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Introduction of the main, higher-pitched glitchy synth motif adds complexity and forward motion.
00:05
00:05
Percussion becomes slightly more prominent, reinforcing the driving beat.
00:08
00:08
Sharp, abrupt cutoff of all elements, creating a clean and impactful ending sting.
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Alright, let's talk about "Some Seconds Intro 2". From a production music standpoint, this piece immediately registers as a highly effective, concise sonic statement. Clocking in at just over ten seconds, it's purpose-built for impact and brevity, making it a fantastic asset for specific media applications where grabbing attention quickly is paramount.
The sonic signature is decidedly electronic, characterized by a driving, somewhat glitchy synth sequence and punchy, processed percussion. There’s a distinct sense of urgency and forward momentum packed into its short duration. The opening hits hard with a tight, rhythmic synth stab and layered percussion that establishes an energetic, almost aggressive tone. This isn't ambient background filler; it’s designed to punctuate an action, introduce a segment, or accompany a logo reveal with significant presence.
Production quality is solid. The mix is clean, loud (in a good, competitive way for library music), and everything feels tightly glued together. The elements are distinct but work cohesively to create a unified, high-energy burst. The slight distortion or saturation on some synth elements adds a touch of grit and character, preventing it from sounding overly sterile. The abrupt cutoff at the end is a key feature – it provides a clean edit point and enhances the feeling of a deliberate, impactful statement, perfect for cutting directly to visuals or voiceover.
Emotionally, it leans towards excitement, tension, and power. It’s bright and attention-grabbing, avoiding any somber or overly complex melodic structures. This makes it incredibly versatile for applications needing a jolt of energy. Think tech product launches, fast-cut advertising montages (especially for electronics, automotive, or sports brands), video game menu transitions or level intros, podcast or YouTube channel intros/outros, and news or sports broadcast stings. It effectively conveys dynamism and modernity.
For sync licensing, its strength lies precisely in its brevity and punch. Music supervisors looking for a non-melodic, rhythmically driven cue to bridge scenes, highlight a quick action sequence, or brand a short segment will find this immediately useful. It doesn't demand prolonged attention but delivers significant energy. Imagine this kicking off a 'Top 5 Gadgets' segment, transitioning between fast-paced scenes in a corporate sizzle reel, or even as a sound effect for a power-up or transition in an indie game. Its focused nature means it won't clash easily with voiceover or complex sound design, slotting neatly into busy media productions. While its short length limits its use as underscore for longer scenes, its potential for looping or extending by a skilled editor exists, although its primary function shines as a concise intro, outro, or transition element. It’s a highly functional, well-executed piece of production music tailored for high-impact, short-duration needs.
The sonic signature is decidedly electronic, characterized by a driving, somewhat glitchy synth sequence and punchy, processed percussion. There’s a distinct sense of urgency and forward momentum packed into its short duration. The opening hits hard with a tight, rhythmic synth stab and layered percussion that establishes an energetic, almost aggressive tone. This isn't ambient background filler; it’s designed to punctuate an action, introduce a segment, or accompany a logo reveal with significant presence.
Production quality is solid. The mix is clean, loud (in a good, competitive way for library music), and everything feels tightly glued together. The elements are distinct but work cohesively to create a unified, high-energy burst. The slight distortion or saturation on some synth elements adds a touch of grit and character, preventing it from sounding overly sterile. The abrupt cutoff at the end is a key feature – it provides a clean edit point and enhances the feeling of a deliberate, impactful statement, perfect for cutting directly to visuals or voiceover.
Emotionally, it leans towards excitement, tension, and power. It’s bright and attention-grabbing, avoiding any somber or overly complex melodic structures. This makes it incredibly versatile for applications needing a jolt of energy. Think tech product launches, fast-cut advertising montages (especially for electronics, automotive, or sports brands), video game menu transitions or level intros, podcast or YouTube channel intros/outros, and news or sports broadcast stings. It effectively conveys dynamism and modernity.
For sync licensing, its strength lies precisely in its brevity and punch. Music supervisors looking for a non-melodic, rhythmically driven cue to bridge scenes, highlight a quick action sequence, or brand a short segment will find this immediately useful. It doesn't demand prolonged attention but delivers significant energy. Imagine this kicking off a 'Top 5 Gadgets' segment, transitioning between fast-paced scenes in a corporate sizzle reel, or even as a sound effect for a power-up or transition in an indie game. Its focused nature means it won't clash easily with voiceover or complex sound design, slotting neatly into busy media productions. While its short length limits its use as underscore for longer scenes, its potential for looping or extending by a skilled editor exists, although its primary function shines as a concise intro, outro, or transition element. It’s a highly functional, well-executed piece of production music tailored for high-impact, short-duration needs.
