All Above Me by Sascha Ende
Moody and atmospheric electronic track featuring a downtempo trip-hop beat, processed male vocal samples, evolving synth pads, and a powerful, uplifting chorus build. Ideal for cinematic underscore, corporate videos, tech promos, and reflective moments.
- License CC BY 4.0
- ISRC number DELJ81512530
- Released 14.11.2016
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Produced using digital audio workstation and MIDI keyboard(s). Fully cleared for commercial use.
All Above Me
14.11.2016
6,451
295
Moody and atmospheric electronic track featuring a downtempo trip-hop beat, processed male vocal samples, evolving synth pads, and a powerful, uplifting chorus build. Ideal for cinematic underscore, corporate videos, tech promos, and reflective moments.
/
03:46
00:00
00:00
Introspective piano intro establishes a moody, contemplative atmosphere.
00:10
00:10
Entry of the solid, downtempo/trip-hop style beat and bassline.
00:19
00:19
First instance of the processed male vocal sample ("All this is above me"), adding a key textural and thematic element.
01:07
01:07
Subtle transition element signals a shift in energy leading towards the chorus.
01:26
01:26
First main chorus/build section begins, introducing layered synths and uplifting vocal textures, creating an expansive feel.
02:24
02:24
Second key vocal sample phrase enters ("Help me to hold down").
02:42
02:42
Second main chorus/build section hits with increased intensity and fuller arrangement.
03:21
03:21
Breakdown/outro starts, stripping back layers towards the end.
03:31
03:31
Final reprise of the vocal samples before fading out.
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Right from the opening bars, "All Above Me" establishes itself as a seriously useful piece of production music. That slightly melancholic, introspective piano motif immediately draws you in, creating a sense of contemplation perfect for setting a scene or introducing a complex theme. When the beat drops around the ten-second mark, it reveals a confidently produced downtempo groove – think classic trip-hop sensibilities but with a clean, modern edge. The bassline is solid, anchoring the track without overwhelming the atmospheric elements.
The introduction of the processed male vocal sample, "All this is above me," adds a unique textural layer and a touch of human vulnerability. It’s not a lead vocal in the traditional sense, but rather an integral part of the sonic tapestry, offering fragments of narrative potential that music supervisors will appreciate. This ambiguity makes it incredibly versatile – it could underscore internal monologues in a drama, the weight of responsibility in a corporate piece, or the complex beauty of urban landscapes in a travelogue.
The track truly excels in its structural development. It doesn’t just loop; it evolves. There's a subtle build in energy leading into the main instrumental chorus sections (around 1:26 and 2:42). These moments blossom with layered synths and wordless vocal textures, shifting the mood from purely introspective to something more expansive, hopeful, and almost striving. This dynamic lift is perfect for reveals, transitions, or moments requiring emotional punctuation – imagine it swelling under slow-motion shots in an advertisement for a tech product or a poignant moment in a documentary.
The production quality is top-notch. The mix is clean, spacious, and well-balanced, allowing each element room to breathe. The stereo imaging is effective, creating an immersive soundscape. The drums have weight and presence without being harsh, and the synth textures are rich and engaging. This isn't just background filler; it's a thoughtfully crafted composition with genuine emotional depth.
From a usability standpoint, this track hits a sweet spot. It's sophisticated enough for cinematic applications and broadcast advertising, yet accessible enough for corporate videos, podcast intros/outros, YouTube content exploring serious themes, or even menu screens in narrative-driven video games. The mood is contemporary and avoids clichés, making it suitable for brands wanting to convey depth, innovation, or a touch of moody elegance. The different sections offer editors distinct moods to cut to – the introspective verses, the building transitions, and the uplifting choruses. This inherent structure makes it easy to work with and adapt to various visual pacing requirements. It feels current, polished, and ready for placement across a wide spectrum of media projects.
The introduction of the processed male vocal sample, "All this is above me," adds a unique textural layer and a touch of human vulnerability. It’s not a lead vocal in the traditional sense, but rather an integral part of the sonic tapestry, offering fragments of narrative potential that music supervisors will appreciate. This ambiguity makes it incredibly versatile – it could underscore internal monologues in a drama, the weight of responsibility in a corporate piece, or the complex beauty of urban landscapes in a travelogue.
The track truly excels in its structural development. It doesn’t just loop; it evolves. There's a subtle build in energy leading into the main instrumental chorus sections (around 1:26 and 2:42). These moments blossom with layered synths and wordless vocal textures, shifting the mood from purely introspective to something more expansive, hopeful, and almost striving. This dynamic lift is perfect for reveals, transitions, or moments requiring emotional punctuation – imagine it swelling under slow-motion shots in an advertisement for a tech product or a poignant moment in a documentary.
The production quality is top-notch. The mix is clean, spacious, and well-balanced, allowing each element room to breathe. The stereo imaging is effective, creating an immersive soundscape. The drums have weight and presence without being harsh, and the synth textures are rich and engaging. This isn't just background filler; it's a thoughtfully crafted composition with genuine emotional depth.
From a usability standpoint, this track hits a sweet spot. It's sophisticated enough for cinematic applications and broadcast advertising, yet accessible enough for corporate videos, podcast intros/outros, YouTube content exploring serious themes, or even menu screens in narrative-driven video games. The mood is contemporary and avoids clichés, making it suitable for brands wanting to convey depth, innovation, or a touch of moody elegance. The different sections offer editors distinct moods to cut to – the introspective verses, the building transitions, and the uplifting choruses. This inherent structure makes it easy to work with and adapt to various visual pacing requirements. It feels current, polished, and ready for placement across a wide spectrum of media projects.
