Extinction [Deep Learning Edit] by Sascha Ende
充满活力的电子节拍与大气的合成器音垫和紧张的电影质感融合。包含经过处理的人声元素,营造出未来主义和戏剧性的氛围,非常适合科幻、科技主题、预告片和具有冲击力的企业视觉效果。
- 许可证 CC BY 4.0
- 发行日期 15.05.2020
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Hybrid digital production workflow using licensed AI-assisted tools. Fully cleared for commercial use.
Extinction [Deep Learning Edit]
15.05.2020
7,054
228
充满活力的电子节拍与大气的合成器音垫和紧张的电影质感融合。包含经过处理的人声元素,营造出未来主义和戏剧性的氛围,非常适合科幻、科技主题、预告片和具有冲击力的企业视觉效果。
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04:44
00:02
00:02
Processed male spoken word intro begins, establishing a futuristic/AI theme.
00:38
00:38
Pulsing synth rhythm established, building underlying tension.
01:21
01:21
Main percussive beat enters with driving synth bass, significantly lifting energy and pace.
01:26
01:26
Sweeping cinematic synth strings (or string-like pads) introduced, adding epic scope and harmonic layer.
02:09
02:09
Peak intensity of the first main section with layered synths and driving rhythm.
02:40
02:40
Brief atmospheric breakdown section, spoken word reappears, creating dynamic contrast.
03:35
03:35
Return of the main driving beat and cinematic elements for the track's final powerful statement.
04:16
04:16
Decrescendo begins as rhythmic and melodic elements start to fade out for the outro.
04:21
04:21
Final spoken word phrase delivered before track conclusion.
Additional Information
Over five years of hard work. Let me introduce you: The first song written entirely by an artificial intelligence. Even the lyrics are based on a deep learning algorithm that was previously fed with content. The voice was then generated by a neural voice generator. This song uses the pattern m5M, which is often used in film music.
I have been working on music theory for a long time. Back then it all started with the website "Chordfinder", which automatically generated good sounding chords based on the most popular patterns of pop music. Since music is ultimately based on mathematics and rules, it wasn't too difficult to generate midi files that could be automatically imported into Cubase as tracks.
I only had to do the mixing. And the subsequent mastering of the music was also done by an artificial intelligence.
The question now is: Is this music or is it not music? Is it art or is it not art just because it is not created by a human being? Who is the artist when an artificial intelligence produces a song: The programmer or the artificial intelligence?
If artificial intelligence eventually takes on human traits and emotions, this question will nevertheless become very relevant at some point - because artificial intelligence will claim to have performed the creative work without the programmer.
I have been working on music theory for a long time. Back then it all started with the website "Chordfinder", which automatically generated good sounding chords based on the most popular patterns of pop music. Since music is ultimately based on mathematics and rules, it wasn't too difficult to generate midi files that could be automatically imported into Cubase as tracks.
I only had to do the mixing. And the subsequent mastering of the music was also done by an artificial intelligence.
The question now is: Is this music or is it not music? Is it art or is it not art just because it is not created by a human being? Who is the artist when an artificial intelligence produces a song: The programmer or the artificial intelligence?
If artificial intelligence eventually takes on human traits and emotions, this question will nevertheless become very relevant at some point - because artificial intelligence will claim to have performed the creative work without the programmer.
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