All Above Me by Sascha Ende
充满情绪和氛围的电子乐曲,以缓拍的Trip-Hop节奏为特色,包含经过处理的男声采样、不断演变的合成器音垫和一个强劲、振奋的合唱递进。非常适合电影配乐、企业宣传片、科技推广和反思时刻。
- 许可证 CC BY 4.0
- ISRC编号 DELJ81512530
- 发行日期 14.11.2016
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音乐类型
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主题
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情绪
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Produced using digital audio workstation and MIDI keyboard(s). Fully cleared for commercial use.
All Above Me
14.11.2016
6,452
295
充满情绪和氛围的电子乐曲,以缓拍的Trip-Hop节奏为特色,包含经过处理的男声采样、不断演变的合成器音垫和一个强劲、振奋的合唱递进。非常适合电影配乐、企业宣传片、科技推广和反思时刻。
/
03:46
00:00
00:00
Introspective piano intro establishes a moody, contemplative atmosphere.
00:10
00:10
Entry of the solid, downtempo/trip-hop style beat and bassline.
00:19
00:19
First instance of the processed male vocal sample ("All this is above me"), adding a key textural and thematic element.
01:07
01:07
Subtle transition element signals a shift in energy leading towards the chorus.
01:26
01:26
First main chorus/build section begins, introducing layered synths and uplifting vocal textures, creating an expansive feel.
02:24
02:24
Second key vocal sample phrase enters ("Help me to hold down").
02:42
02:42
Second main chorus/build section hits with increased intensity and fuller arrangement.
03:21
03:21
Breakdown/outro starts, stripping back layers towards the end.
03:31
03:31
Final reprise of the vocal samples before fading out.
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从开头的几个小节开始,《All Above Me》就确立了自己作为一段非常有用的配乐的地位。那略带忧郁、内省的钢琴动机立刻将你吸引,营造出一种沉思的氛围,非常适合场景的设定或复杂主题的引入。在十秒左右,节拍落下,它揭示了一种自信的慢节奏律动——可以将其视为经典的 trip-hop 感性,但具有干净、现代的边缘。贝斯线很扎实,在不压倒大气元素的情况下锚定了这首曲子。
经过处理的男声采样“All this is above me”的引入,增加了一个独特的纹理层和一丝人性的脆弱感。它不是传统意义上的主唱,而是声音织锦的组成部分,提供了音乐总监会欣赏的叙事潜力片段。这种模糊性使其用途极其广泛——它可以强调戏剧中的内心独白、企业作品中的责任负担,或者旅游片中城市景观的复杂之美。
这首曲子真正出色之处在于其结构发展。它不仅仅是循环,而是在进化。在主乐器合唱部分(大约 1:26 和 2:42)之前,能量有一个微妙的积累。这些时刻绽放出分层的合成器和无词的人声纹理,将情绪从纯粹的内省转变为更广阔、更有希望,几乎是奋斗的东西。这种动态提升非常适合揭示、过渡或需要情感标点的时刻——想象一下它在科技产品广告中的慢动作镜头下或纪录片中令人心酸的时刻膨胀。
制作质量是一流的。混音干净、宽敞且平衡良好,让每个元素都有呼吸的空间。立体声成像效果很好,营造出身临其境的音景。鼓具有重量感和存在感,但不会刺耳,合成器纹理丰富而引人入胜。这不仅仅是背景填充物;这是一首经过深思熟虑的创作,具有真正的情感深度。
从可用性的角度来看,这首曲子达到了一个最佳点。它足够复杂,可以用于电影应用和广播广告,但又足够容易被企业视频、播客介绍/结尾、探索严肃主题的 YouTube 内容,甚至叙事驱动型视频游戏中的菜单屏幕所使用。这种情绪是现代的,避免了陈词滥调,使其适合想要传达深度、创新或一丝忧郁优雅的品牌。不同的部分为剪辑师提供了截然不同的情绪来剪辑——内省的诗句、构建的过渡和令人振奋的合唱。这种固有的结构使其易于使用和适应各种视觉节奏要求。它感觉很现代、精致,并且可以跨越广泛的媒体项目进行放置。
经过处理的男声采样“All this is above me”的引入,增加了一个独特的纹理层和一丝人性的脆弱感。它不是传统意义上的主唱,而是声音织锦的组成部分,提供了音乐总监会欣赏的叙事潜力片段。这种模糊性使其用途极其广泛——它可以强调戏剧中的内心独白、企业作品中的责任负担,或者旅游片中城市景观的复杂之美。
这首曲子真正出色之处在于其结构发展。它不仅仅是循环,而是在进化。在主乐器合唱部分(大约 1:26 和 2:42)之前,能量有一个微妙的积累。这些时刻绽放出分层的合成器和无词的人声纹理,将情绪从纯粹的内省转变为更广阔、更有希望,几乎是奋斗的东西。这种动态提升非常适合揭示、过渡或需要情感标点的时刻——想象一下它在科技产品广告中的慢动作镜头下或纪录片中令人心酸的时刻膨胀。
制作质量是一流的。混音干净、宽敞且平衡良好,让每个元素都有呼吸的空间。立体声成像效果很好,营造出身临其境的音景。鼓具有重量感和存在感,但不会刺耳,合成器纹理丰富而引人入胜。这不仅仅是背景填充物;这是一首经过深思熟虑的创作,具有真正的情感深度。
从可用性的角度来看,这首曲子达到了一个最佳点。它足够复杂,可以用于电影应用和广播广告,但又足够容易被企业视频、播客介绍/结尾、探索严肃主题的 YouTube 内容,甚至叙事驱动型视频游戏中的菜单屏幕所使用。这种情绪是现代的,避免了陈词滥调,使其适合想要传达深度、创新或一丝忧郁优雅的品牌。不同的部分为剪辑师提供了截然不同的情绪来剪辑——内省的诗句、构建的过渡和令人振奋的合唱。这种固有的结构使其易于使用和适应各种视觉节奏要求。它感觉很现代、精致,并且可以跨越广泛的媒体项目进行放置。